Sunday, August 22, 2010

Librarians at Night

A final farewell post for my defunct blog. This funked short features Candace, the Director of the library I worked at for the past year. It all came together when she received her Fluevog leather boots in the mail: time to break it down in the stacks. Shot with one light, one camera. I used a Sony PMW-EX1 HD cam with a fig rig for a hand-held long take.

Enjoy! Librarians really do have the most fun.

Librarians at Night from Michelle Lovegrove Thomson on Vimeo.

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Thursday, October 08, 2009

Feminist Film & Video Art Resources

(Cindy Sherman)


Online Resources:

Video Data Bank features clips from Martha Rosler, Sadie Benning, Lynda Benglis, Peggy Ahwesh, and more.
UBU web film page full length film and video uploads from classic 20th century experiemtnal filmmakers, including Maya Deren, Lynda Benglis, Agnes Varda, Su Friedrich
Elizabeth Sackler Centre for Feminist Art in Brooklyn

Canadian Resources:

Fringe Online Canadian Experimental Filmmakers
CFMDC distributor of Canadian short film
Pleasure Dome film and video exhibition group dedicated to the presentation of experimental film and video, located in Toronto.
V tape distribtion of media works by independant Canadian Artists
Trinity Square Video An artist-run centre that continues to train and help develop many emerging artists. Several noted Canadian artists including John Greyson, Lisa Steele, Ed Sinclair, Michael Balser, Kim Tomczak, Vera Frenkel and Barbara Sternberg have created video at TSV.

Artists:

Allyson Mitchell a maximalist artist working predominantly in sculpture, installation and film. Since 1997, Mitchell has been melding feminism and pop culture to play with contemporary ideas about sexuality, autobiography, and the body, largely through the use of reclaimed textile and abandoned craft.

INAuntINA video "Lynda Barry" video featuring art by Allyson Mitchell

Barbara Sternberg Barbara Sternberg has been making (experimental) films since the mid-seventies; co-founder of Struts gallery in Sackville, New Brunswick, was a founding member of Pleasure Dome: Film Artists Exhibition Group in Toronto, and taught in Film and Visual Arts at York University.

Midi Onodera recent works feature a collage of formats and mediums -ranging from 16mm film to Hi8 video to digital video and “low end” digital toy formats such as a modified Nintendo Game Boy Camera, the Intel Mattel computer microscope, the Tyco and Trendmasters video cameras.

Midi Onodera film "I have no Memory"

Cindy Sherman creator of "untitled film still" photographs

Beginnings:
Maya Deren
Sadie Benning clips on VDB
Martha Rosler
Peggy Ahwesh
Joyce Wieland
Joan Jonas
Lynda Benglis
Cindy Sherman

Some Canadian Filmmakers and Media Artists:
Barbara Sternberg
Joyce Wieland
Allyson Mitchell
Midi Onodera
Deirdre Logue
Aleesa Cohen
Patricia Rozema
Mary Harron
Andrea Dorfman
Garine Torrosian
Izabella Pruska-Oldenhof
Janet Cardiff

Mainstream Feminist Feature Filmmakers:
Sally Potter(Orlando, Yes)
Jane Campion (The Piano, In the Cut, Bright Star)
Patricia Rozema (I’ve Heard the Mermaids Singing, When Night Falls, Mansfield Park)
Mary Harron (I Shot Andy Warhol) excerpt from I Shot...

Recommended Texts:

Helen Cixous “The Laugh of the Medusa” (Essay), “Portrait of Dora” (Theatre)
Sigmund Freud “Femininity” from New Lectures on Psychoanalysis and Studies on Hysteria
Luce Irigaray “The Blind Spot of an Old Dream of Symmetry” in Speculum of the Other Woman
Teresa de Lauretis Alice Doesn’t: Feminism, Semiotics, Cinema
Linda Williams “Film Bodies: Gender, Genre and Excess”
Laura Mulvey “Visual Pleasure and Narrative Cinema”
Donna Haraway “Cyborg Manifesto”
Chris Kraus I Love Dick; Aliens and Anorexia

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Wednesday, April 01, 2009

art a go-go

SO looking forward to these big box gallery exhibitions!

The AGO's Remix: New Modernities in a Post-Indian World much to excavate here.

Despite Yoko Ono's soft politics (as well as John's for that matter), after the AGO's YES Yoko Ono exhibit in '03, I will always love her conceptual art. Looking forward to the Musee des Beaux-Arts de Montreal exhibition
Imagine: The Peace Ballad of John & Yoko showing on the anniversary of their bed-in for peace at the Queen Elizabeth Hotel.

Jenny Holzer at the Whitney!! So iconic, I can't wait.

Yael Bartana has her first NYC show at P.S.1.An Isreali artist based in the Nederlands, this exhibition will gather several of her media-based pieces that I've read so much about... I've noticed that one link that should lead to her work leads instead to a Refusenik site.
Also at P.S.1, this swimming pool looks amazing.

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Tuesday, February 03, 2009

Sally Potter's new film features Jude Law in beautiful drag



Looking a bit like Peaches, Jude Law trades one beauty for another...

From Sally Potter's website:

"Part of the subject matter of RAGE is the ugly use of beauty in the pursuit of profit. Drugged by Marketing, sapped by fear of aging, conned by the cult of celebrity... image becomes all.

Jude Law, whose beauty has sometimes been held against him as an actor, made the courageous decision to accept the role of Minx - a “celebrity super-model” and took on a kind of hyper-beauty for this persona... a ‘female’ beauty which gradually unravels as the story unfolds.

Strangely, the more he became a ‘she’, coiffed and made-up - the more naked was his performance. There was great strength in his willingness to make himself vulnerable. It was an extraordinarily intense part of the shoot."

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Wednesday, October 22, 2008

Bjork releases new single: Nattura

Bjork's new single, featuring Thom Yorke, supports the Nattura iniative and can be purchased online here or at iTunes (search 'Nattura').

The official statement about the purpose of Nattura, and the song:

"The single was composed specifically to encourage active support for the Náttúra campaign, which aims at collating and providing sustainable and eco-friendly options suitable for Iceland, and generating alternative ways to utilize it’s natural resources. People will be able to submit their ideas on the website for sustainable green workplaces for Icelanders.

According to Björk, “It is now more important than ever before to emphasize a respect for nature… I believe that profits, technological advances and working together with nature can all go hand in hand. None need to be sacrificed at the expense of the others.”

The new single is written and produced by Björk and features Radiohead’s Thom Yorke on backing vocals, Brian Chippendale (Lighting Bolt) on drums, Matthew Herbert on synth/bass, and Mark Bell on additional electronic beats. Opening with a huge elemental swirl, “Náttúra” then fires up an incendiary and fierce tribal rhythm. The song sees Björk firmly on the march in celebration of her homeland, in hopes that Icelanders harness its energy in a sustainable way."

ENJOY!...

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Sunday, August 03, 2008

season of glass

Spring passes
and one remembers one's innocence
Summer passes
and one remembers one's exuberance
Autumn passes
and one remembers one's reverence
Winter passes
and one remembers one's perseverance.

There is the season that never passes,
And that is the season of glass.

- Yoko Ono, Season of Glass 1981

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Wednesday, July 23, 2008

On time, memory, and technology: La Jetee and a bag of tapes.

From a used ghetto blaster* to French avant-garde film in four moves.

As a result of buying a wicked Philips boombox--complete with strap--at a yardsale on Saturday (in support of the NB Rebelles and their cause), I ran home and dug out my shoeboxes of tapes. Crammed in between Dee-Lite's "World Clique" and Much Dance '93 was a tape labelled "All About Me 1991".

Popping it in, I was immediately treated to a recorder solo, a 5 minute atonal rendition of "We are the World," and a song I wrote "with my friend Martha, she's REALLY into Peace" called Firebomb ("about a little war that just happened, not like, the Second World War, a small one that happened last year between Iraq and Saudi Arabia..."). The format is me talking to my future self, or rather, admonishing my future self on all the plans I've already made, via a genius future-telling game called "M.A.S.H.".

Apart from being side-splittingly amazing and teeth-gnashingly horrendous (I use the word fag in a song I wrote about wishing someone a happy birthday...?!), the tape is a time-travelling gem. I am reminded of my old constant fascination with time and communicating with my future self. Everyone did this I suppose, it's just amazing to have such a concrete example. And, task fulfilled as planned, here I sit 17 years later, imagined self and past self united in an onanistic continuum.

Thoughts of dialogue between selves made me think of French filmmmaker Chris Marker's 1962 film "La Jetee". It is a beautiful, clever, sci-fi short film that later became the basis for Terry Gilliam's feature Twelve Monkeys (His version is a great film, but try watching the trailer after watching Marker's film... yikes.)

Told through a succession of still black and white images and narration, the film follows a man in a post-apocalyptic world, who can move through time. He falls in love with a woman in the past, and her presence provides one of the most beautiful moments in cinema. Watch and see.

Now the tape recorder has been replaced by new technology, and the dialogue/monologue continues. Thank goodness blogging and youtube didn't exist when I was 9.

The film is 26 minutes, and can also be found here



*That's what I grew up calling a portable stereo not realizing the meaning, and feel no need to white-wash with new terminology. Acknowledge the origin and remember.

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Monday, June 02, 2008

Film nostalgia: vampires, breakdance, androids, doll-women, and lusty femicide.

During the summer of '94, I covertly watched B-films served up nightly by ASN at midnight. These films were pretty cheesy and bad by most standards, but transgressive to a 12 year old. Now everyone finds fringe and cult films online, or stumbles upon them, but I must thank ASN (a usually family-friendly channel) for bringing the films that taught me about technology run amok, taboo sexuality, vampire love, and of course, the dance battle:

Amantes (Dir. Vicente Aranda)

Have been haunted by this film since this one viewing. Follows a young man as he abandons his virginal fiance to be sexually educated by his Widowed landlord, with inevitable murderous ending. Innovative uses for a hanky are discovered en route.
Seeing Woody Allen's Match Point a few years ago reminded me of the film, though I had no idea what it was called or who made it. Today I tried many googling techniques, all which yielded nothing, and I finally typed in "spanish film about murder" and found this title halfway down the page. Bingo! Weird.
Levity aside, the final scene of this film has floated back to me many times in the 14 years since I first saw it. The emotional impact of understanding the intersection of sexual violence with domestic violence still resonates. This film was the first to give me that unsettled, morosely creeped-out feeling that comes from mixing death, sexuality, and trust, which I would later experience with films like Olivier Olivier!, A Ma Soeur (Fat Girl), My Summer Of Love, and more recently Red Road.

Full Amantes synopsis.


Beat Street (Dir. Stan Lathan, with Guy Davis, Rae Dawn Chong)

Stars a young Guy Davis (son of Ossie Davis and Ruby Dee) in his first and only movie role. I loved the film then, and it has since taken on new meaning, as Frederictonians now know Guy as a guitar-strumming storyteller who used to make frequent visits to Harvest and to Salty Towers to trade notes with Hot Toddy.





Breakin' 2: Electric Boogaloo(Dir. Sam Firstenberg)

A developer tries to bulldoze a community recreation center. The local breakdancers try to stop it by putting on a dance spectacular. Obviously they succeed, as the coffeegrinder overcomes all obstacles.
I believe in the beat.


The Hunger (Dir. Tony Scott with David Bowie, Catherine Deneuve, Susan Sarandon)

Saw it once and never forgot it.

The Bauhaus over opening titles, the David Bowie, the lesbian love, the loneliness of the undead, the mutating hemoglobin, the Flower Duet, the eighties eye-makeup, the billowing gauzy curtains, the Ankh-necklace dagger, the crumbling flesh... Too much to unpack here, I suggest watching it as soon as possible.
Online.


Making Mr. Right (Dir. Susan Seidelman, with John Malkovich)
Woman falls in love with an android that looks like John Malkovich. Yeah, right.
Most memorable moment is when android Malkovich goes through his human lover's purse and finds her diaphragm. He pings it around wondering what it is, and my young self wondered the same thing.


Weird Science (Dir. John Hughes, with Anthony Michael Hall)

My parents are away for the weekend. Party? No. Initiate woman-making software.
Two nerds design a woman using their geeked-out custom IBM attached to a Barbie, and through the magic of a freak lightening storm, the doll turns into Kelly "Don't hate me because I'm beautiful" LeBrock. Anatomically correct or plastic panties? We never find out, because a gang of punk biker aliens break up the party (Time travellers from Tupac's "California" video, who found themselves in the wrong 80s movie. Sorry dudes, Mad Max is in the other studio.)

Cinema's proto-nerd Anthony Michael Hall begins to lose his way after this film, never truly resurfacing until taking on the role he was born to play, pre-humanitarian Ur-geek Bill Gates in Pirates of Silicon Valley.

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Saturday, April 05, 2008

Oulipian Horoscopes.... keep your brain limber

An acquaintance of mine started a Facebook group called "Echo Spoor," an online workshop for literature in the style of the oulipians (those who've read Christian Bok will be familiar). They imposed strict rules on their writing, "believing that formal constraints were liberatory".

People can create "echo spoors" - poetry derived from horoscopes.

The rules: use only the letters, words and punctuation in your daily, weekly, or monthly horoscopes to write "your" poems. you may not repeat words or punctuation.

My poem is derived from Rob Brezny's Scorpio horoscope for this week. I had thought with all the talk of "workmen", "entering the body", etc this would be a bit more risque.... turns out Weil infuses all with her love of the Godhead ...


When waiting for passage,
Keep in mind the mystic and political activist,
Entering our tired world of
Order and beauty,
Suffering and hurt,
Redemptive pain.
His coming is the expression of love.


(Horoscope):
In her book Waiting for God, French mystic and political activist Simone Weil (1909-1943) wrote a passage I'd love for you to keep in mind during the coming weeks: "When an apprentice gets hurt, or complains of being tired, the workmen have this fine expression: 'It is the trade entering his body.' Each time that we have some pain to go through, we can say to ourselves quite truly that it is the order and beauty of the world that are entering our body." I encourage you, Scorpio, to adopt this redemptive attitude about the suffering you have been experiencing.

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Tuesday, March 18, 2008

Arthur C. Clarke Joins the Cosmic Dust



Arthur C. Clarke, writer of the classics 2001: A Space Odyssey, Childhood's End, and dozens of novels and short stories, passed away today. It's too bad that during his lifetime he didn't get to experience contact with another alien civilization, as he so desired.

Here are some excerpts from his 2008 "Egogram", reflections on his 90 years, and plans for the future. I love the Rudyard Kipling quotation. Prescient.


EGOGRAM 2008 - Sir Arthur C Clarke

Friends, Earthlings, ETs -- lend me your sensory organs!

I send you greetings and good wishes at the beginning of another year – and we’re getting closer to 2010, 'the year we make contact' (according to the movie 2010: Odyssey Two).

Making contact, or at least receiving some evidence of extra-terrestrial life, was one of three wishes I included in a short video released online in December reflecting on my 90th birthday. I said: “I have always believed that we are not alone in the universe. But we are still waiting for ETs to call us – or give us some kind of a sign. We have no way of guessing when this might happen – I hope sooner rather than later!”

Completing 90 orbits around the sun is a suitable occasion to reflect on how I would like to be remembered. As I said in my birthday reflections video:
“I’ve had a diverse career as a writer, underwater explorer, space promoter and science populariser. Of all these, I want to be remembered most as a writer – one who entertained readers, and, hopefully, stretched their imagination as well.

I find that another English writer has expressed it very well.

So let me end with these words of Rudyard Kipling:

"If I have given you delight
by aught that I have done.
Let me lie quiet in that night
which shall be yours anon;

And for the little, little span
the dead are borne in mind,
seek not to question other than,
the books I leave behind."



Arthur C. Clarke
Childhood's End One of my favourite stories.
Arthur C. Clarke Foundation His projects, philanthropic endeavours, and bio.

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Thursday, March 06, 2008

"newseason" net art by Kristy O'Leary



newseason is Kristy O'Leary's latest art piece, located on the web.

The piece is an online environment, based on deconstructed topographic maps, where one can listen to elders from Lunenburg, Nova Scotia reveal their memories of weather and their observations of climate change.

The site itself is a simple, one page affair. Hover your mouse over different parts of the map to activate the voices.


Kristy O'Leary (b. 1977, Perth Ontario, Canada) works in installation, audio, web design and single-channel video. Her work has been exhibited at The Kyber Centre, Saint Mary's University Art Gallery and The Anna Leonowens Gallery. In 2003 Kristy received a degree from Carleton University (Ottawa, Ontario) in Political Science. She then went on to complete her BFA, Media Arts from NSCAD University in April 2006.

Kristy will be at the Eastern Edge Gallery in NFLD
Saturday March 8th
2-3pm IWD panel
Kristy O'Leary and Kristin Ivey discuss feminist, environmental and new media issues and thematics.



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Monday, March 03, 2008

keeping up

I haven't written personally on this blog in a while, and thought maybe I'd check in with an update.

On the horizon:

I have invited Canadian art filmmaker Bruce Elder on behalf of the NB Film Co-op's Experimental Film Program to deliver a lecture about his work and filmmaking process. He will be in town on March 27th at Marshall D'Avery Hall 8pm, with films in tow, to talk about his work and:
"Cosmological Themes and New Media Technologies: The Body and The Celestial Dance."

Bruce was one of the recipients of the Governor-General's Award for Visual Arts in 2007, and has an immense body of work starting in 1975. He currently teaches film at Ryerson, and is Director of the Communications and Culture Program.

Bruce Elder's Lecture will be the final one in a series that began in January and included Barbara Sternberg, Andrea Dorfman, and a screening of Canadian Short Experimental Films. The community's response has been so positive, and I'm hoping we can fill the auditorium for our final big event.

Our screening on January 11th included (from CFMDC):
Brakhage, Stan “Mothlight” 4 min.
Brown, Carl “Drop” 4.3 min. 16mm
Daniel, Mary J. “Confessions of a Compulsive Archivist” 7 min. 2004
Gruben, Patricia “Before It Blows” 1997 8.3 min video
Hoffman, Phil “?O, Zoo! (The Making of a Fiction Film)” 23min.
Hoolboom, Mike “in the dark” 8 min.
Mitchell, Allyson “Precious Little Tiny Love” 4.5 min
Pruska-Oldenhof, Izabella “fugitive l(i)ght” 9 min.
Sternberg, Barbara “surfacing” 10 min.

See also Fringe Online, an assortment of Canadian Filmmakers homepages.

Some of other excellent online resources for film art:
Ubu Film (got this bookmarked to Maya Deren...
Video Data Bank
NFB Animation dept.


Having just returned home from the face-creasing but amazing "There Will Be Blood", must add that two of my favourite features of the year were def The Secret Life of Words, Red Road.

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Tuesday, March 06, 2007

Rebel Daughter Doris Anderson Dies/ Baudrillard becomes the static he desires.



This Canadian feminist powerhouse (Editor, novelist, journalist, activist, chairperson) passed away in Toronto this week.

As editor of Chatelaine, Anderson combined typical women’s magazine fare with well-written, hard-hitting investigative pieces on abortion, birth control, discriminatory divorce laws and the wage gap.

Among some of the journalists she hired to write these pieces were June Callwood, Christina McCall (later Newman) Michele Landsberg, Barbara Frum, Sylvia Fraser, anf future governor-general Adrienne Clarckson.

One of her first editorials was an appeal for more women in Parliament -- there were only two female MPs in 1958 . She devoted many pages over the years to pushing for a Royal Commission on the Status of Women (she eventually chaired the SoW Council), and to exposing Canada's systemic social problems such as child abuse, racism, and the plight of our First Nations peoples. Some readers felt that she was turning "a nice wholesome Canadian magazine into a feminist rag." However, circulation, which was 480,000 when she became editor, had increased by the late 1960s to 1.8 million readers, the equivalent of one out of every three women in Canada (!!!)

Anderson eventually quit because they refused to hire her as Editor of Macleans, or to raise her salary of $23,000 to match that of the male Maclean's editor, who had less circulation and was paid $59,000.

While Chair of the Status of Women, Anderson contested the wording of Trudeau’s newly written Constitution. The fall-out from this led to her resignation, but finally, following an ad hoc conference on the subject, the wording was changed to: “Notwithstanding anything in this Charter, the rights and freedoms referred to in it are guaranteed equally to male and female persons”.

Lloyd Axworthy, who cancelled the first conference that had been planned to discuss the wording, appointed Lucie Pepin, one of the women on the CACSW board who had voted against holding the conference, as Ms. Anderson's successor. [why not get gwendolyn landolt?]

Anderson then become head of the National Action Committee, a coalition of 700 women’s rights organizations. She remained passionate about women’s involvement in parliament, and was a vocal advocate of Proportional representation.
She also wrote four novels: Two Women, Rough Layout, Affairs of State, The Unfinished Revolution

Quote:
“Every time Lloyd Axworthy opens his mouth, one hundred more women become feminists”

--
DIED TODAY:
Jean Baudrillard



A widely-read French Philosopher and cultural critic. He coined the terms simulacra and hyper-real to describe Western society's mediated reality through technology. I attended a packed lecture he delivered at York University in 2003. I thought I would be all clever and focus on his french delivery, ignoring the subtitles that flashed behind him on screen (weird--most conferences have head-phones and live translators).
Maybe this was his idea of a joke, but he began his french lecture, and the subtitles started too late, then had to speed up to catch up. the words were whizzing by, and a general twitter waved through the crowd as we contemplated our highly mediated and hyperreal moment with the Man himself.

Some quotes:

"The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real."

"Deep down, the US, with its space, its technological refinement, its bluff good conscience, even in those spaces which it opens up for simulation, is the only remaining primitive society."

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Friday, February 09, 2007

World Press Photo Awards

Some of the winning photographs:

My favourite: Atmona outpost in the West Bank, by Oded Balilty -


The Winning photo, undeservedly so. It's a good photo, but it's not aesthetically nuanced. The photo says "hey look at the clash of opposites!"...yawn -


A fun photo -


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Thursday, January 25, 2007

Save a Horse, Ride a Cowboy: "Alberta Beef" Drag King Cabaret


Tonight's the big night! In honour of visiting speaker Judith Halberstam, a group of us have put together a drag king cabaret. It's my first time doing a drag show, and it seems as though the show is turning into a big deal... bigger than I initally imagined anyway. Author and visual artist Shani Mootoo (who wrote "Cereus Blooms at Night", and recently "He Drown She in the Sea") is filming our performance and dress rehearsal, as well as conducting interviews with us concerning ideas of female masculinity, performativity and gender.

I'll post pictures from tonight's performance soon.

Giddy-up!



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Monday, September 25, 2006

Who needs real life when it can be filtered through film?



In 1932, Huey Long said "Fascism will come to America, but likely under another name, perhaps anti-fascism."

I'm awaiting the release of "All the King's Men" a remake of the 1949 film of the same name, which was based on the Robert Penn Warren novel of the same name. At first I thought it was a remake of the classic 1976 film"All the President's Men" (Hoffman and Redford), but Tessa pointed out that THAT film title was a nod to the prior film/novel about political corruption and intrigue.

Ah the lineage... in an case, the character of Willie Stark in "All the King's Men" is based on Huey Long.... I await Sean Penn's impassioned portrayal.
Now, I wonder if he traces his lineage to Robert Penn Warren...


Also awaiting, popcorn and junior mints at the ready:
~Sophia Coppola's Marie Antionette;

~The Helen Mirren vehicle "The Queen" about how the Queen dealt with Diana's death;

~Dito Montiel's autobiographical "A Guide to Recognizing Your Saints" starring Hollywood's best and much-maligned actor Robert Downey Jr. (as well as the break-dancing hooligan from "Step Up" -say what?)

~Inarritu's Babel and Kevin MacDonald's The Last King of Scotland look stunningly shot and crafted, and promise intelligent writing, but they may be too depressing for me right now.

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Saturday, September 02, 2006

ah, the fairytale life of a prostitute.

"Are you going to charge yours?"
"No - Tonight we are not prostitutes.... We are Princesses"

The final words in the trailer for Spanish film Princesas.
Let's watch these two gorgeous women grow close through their mutual hardships of working as prostitutes. It's not all that bad! There are fun times too! and sometimes, they have sex for free, when the men are really nice! [i.e. when they aren't beaten]how lovely.

How come some people get to make films, when I don't?

Maybe Disney can add these women to their Princesses brand.

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Wednesday, August 23, 2006

jaunt



Well I'm off for a self-invented long-weekend. It was supposed to be my reward for having figured out exactly what I'm doing with my thesis.... That didn't quite work out, but I get to go anyway. A pre-reward for the work I'll do upon my return. uh huh.

First stop: Banff. Hot springs, hiking, and most importantly, the Banff Centre. Friday is open house day for the Visual Arts, and all summer-residencies are showing their work. Synchronistically, my search for Janet Cardiff lead me here. Her collaboration with George Bures Miller "Forest Walk/House Fire" is currently mounted at the Walter Phillips. The description is unclear, but I'm hoping for another hand-held camera/tour experience.

Then Saturday I'm on to Calgary, where through another bout of synchronicity filling station is hosting the second "Calgary Blow-Out", a who's-who roster of spoken word and sound poetry performances (I know, sounds like a blast right? quite).



Performing Saturday evening:
Paul Kennett
Jane Grove
Christian Bök
Neil Scott
(break, featuring short films by emerging Canadian directors)
Jason Christie
Nikki Reimer
Jessica Grant

Sweet! I'm hoping to be so inspired be the lush beauty of Banff, the multi-disciplinary creativity of Cardiff +Miller, and the intellect of the poetry that my thesis plans will fall perfectly into place.

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Tuesday, August 15, 2006

Very Nice, Very Nice

Classic Canadian short, made entirely of footage that Arthur Lipsett found on the cutting room floor at the NFB.

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Wednesday, July 12, 2006

Dream of Reason

Cuban performance artist Tania Bruguera recently opened the Sublime Embrace exhibition at the Art Gallery of Hamilton with a performance titled "The Dream of Reason", a reference to Goya's famed painting "The Sleep of Reason" in which a student lies over his textbooks, surrounded by bats, ominous shadows and monsters.

Her piece comments on the anxiety, dread, and sense of impending catastrophe felt by US citizens (as well as the rest of the world- thanks George) in the aftermath of Bush's post 9/11 America.

Her performance was unannounced and un-named: during the reception for the Sublime Embrace exhibition, police officers with bomb-detecting dogs roamed the gallery amongst art-loving attendees. With no explanation from the curator or artists present, the public was left to figure out/worry/wonder. A great piece.

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